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KENZIE WELLS

  • Sculpture and Installation
  • Painting and Drawing
  • About
  • CV

Queer as Water/ New 2023-24

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Beachcomber's Dream

Beachcomber’s Dream is an outdoor sculpture installation that originally debuted in the Arcade District in Columbia, MO as a part of The Zipper Arts and Crafts Festival, in September, 2023.

This series comments on how the state of pollution today can be seen as both a beachcomber's dream and a sobering reality. On one hand, the abundance of washed-up trinkets and items along shorelines presents an enticing prospect for beachcombers seeking treasures. However, beneath this dreamy surface lies a harsh truth about the impact of pollution on our environment. The installation "Beachcomber’s Dream" captures this relationship, merging the allure of beachcombing with commentary on the future of our planet by visualizing how non-biodegradable materials will integrate into natural landscapes, and how rising sea levels are reshaping our coastlines.

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Triple Point

Solo exhibition at Practice Gallery, Philadelphia, PA, June 2022

Triple Point speculates a future secret garden wherein all matter has reached its “triple point” – it is solid, liquid, and gas simultaneously. Setting the scene are rock-like sculptures layered with the residue of human activity and earthy sediments. Found objects are fused and fossilized into structures of polyurethane foam, coated in sand, cement, salt, and neon resin, lit by the soft pink glow of black light.

In this distorted spacetime parallel, temperature acts as time’s non-linear counterpart, revealed through a gradual shift in appearance from day to night. Light floods in through windows during the day and gradually transitions from pink to ultraviolet as the sun sets, highlighting a flow of heat energy that would otherwise be invisible. Past, present, and future geologies coalesce in this queered, otherworldly subspace, making visible a planetary fever.

Personified in this way, Earth’s increased temperatures and weather patterns become relatable, bodily dispositions; a map of being born, alive, and dead. The audience transitions between alternative worlds as they witness a warped intimacy between equilibriums of three. A vision of the way that triple points can reveal invisible environmental secrets, and the hand human activity plays in the heating of Earth’s climate system.

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Super Position

Super Position embodies a sculptural series that debuted at stop-gap projects in Columbia, MO in 2021. The work plays with the multi-faceted nature of the term “super position”. In quantum physics, a superposition refers to a system which is understood as existing in multiple states at once until measured. In geology, super position refers to the sedimentary layers of Earth, wherein the oldest layers reside on the bottom, and the newer on top. I am interested in the queer nature of the old and new, ultimately only existing together- if we were to cut a slice out of the earth, the slice only holds form with all of the ages, layers, and things within it.

Varying states of matter and decay are superimposed on household items within the exhibition. A shoe, mirror, table and chairs, and items from a garage exist in shifting degrees of decay and confusion. The central structure is pedestal or refrigerator-like in form. It hoists a car tire into the air. On the end cap, there is an in-set shelf like an ice dispenser, wherein a neon orange wrench made of resin glows like lava under black light. A jar lays on the floor in front, a liquid resin puddle spills creating what seems to be a chain reaction of resin-flames running up the structure’s side. Each piece refuses to only be one thing, putting the viewer in a glitchy headspace- possibly a mental superposition.

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Habitable Zone

Habitable Zone is a sculptural installation that reveals how intimate and societal structures invade one another to produce a new form: the architecture of the psyche. This constructed scene visualizes a household from a warped side of the universe. Through the mysterious ambience of deep space, a home is pulled through a black hole, its rooms and surfaces wrinkled and misshapen from the concentrated pressure.

My own queer, non-binary mind-house emerges through an intimacy with texture and pattern, setting the scene for a dialogue between mental distortions and capitalistic structures of gender and sexuality. These recurring dualities thread together with a single unified pulse: the marbled pigments of bathroom tile are alive, fluid, and swirling around solid pipes and mirrors. Like scar tissue around a wound, rocky textures and steel bars encase liquid-like ridges of bold colors, externalizing those unspeakable feelings that bleed through the cracks of all human structures with added pressure. Rage, trauma, an undying longing for safe and sacred space.

A refuge of rhythmic oscillations, water pumps the circuitry of all living organisms. In outer space, the stretch between a star and an orbiting planet where water can pool is called a habitable zone. In a house water pools in a bath, a space for restoration, reflection, menstruation, birth. The audience is invited to facilitate the transition between parallel worlds as they peer through their own mind-house to witness a warped intimacy. A vision of the ways habitable zones become politicized and untenable, and how that process becomes a blueprint of our inner architectures.

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Rebirth
Rebirth

wood, resin, pigment, acrylic paint, spray paint, spray paint, spray foam, polystyrene, fabric, sand, drain, and faucet, 2.5’ x 4’ x 5.5’, 2021

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Chamber; a lock-it-in-my-pocket
Chamber; a lock-it-in-my-pocket

wood, polystyrene, fabric, resin, sand, chain, MDF, hooks, latex paint, acrylic paint, spray paint, glitter, and fake grass, 8’ x 1’ x 5’, 2021

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Rage
Rage

masonite, polystyrene, fabric, spray paint, steel, latex paint, sand, resin, and rocks, 4.5’ x 2’ x 1.5’, 2021

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Blueprint
Blueprint

polystyrene, spray foam, wood, fabric, spray paint, cement, sand, and pipe, 2.5’ x 4.5’ x .5’, 2020

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Gradience

Gra·di·ence | ˈɡrādēəns; noun

: The absence of a clear-cut boundary between one category and another.

Gradience imagines a metropolitan scene, contorted within a wormhole of warped space and time. Each structure within the exhibition gives form to a physical gray area of jumbled materials and objects from everyday settings. Commonplace expectations are defied, leaving viewers traversing through a new dimension. Domestic and industrial objects have become petrified into rocky, stony slabs, leaving their functional qualities amiss in a condensed and crystallized state.

Through this distorted, dimensional lens, the exhibition probes the constraints of our perception and questions our need to categorize and form binaries. We live in a society structured around the idea that opposites cannot coexist. As a queer, non-binary person, I exist in the gray areas between and outside of this structure.

Gradience is an urban space subsumed by properties of various planetary anomalies where opposites coexist. The icy, blazing surface of the exoplanet Gliese 436 b seeps into structural material layers of the built environment, forming a gradient between human-design and naturally occurring processes. The materials, textures, and colors present in each conglomeration simultaneously call to mind lava and ice, hard and soft, or liquid and solid, blurring the line between these supposed opposites to further break down societal categorization.

Parking
Parking

digital photograph taken in parking garage with sculpture titled Excavated Parking, steel, spray paint, foam, fabric, 2.5’ x 4.5’ x 3’, 2020

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Excavated Parking
Excavated Parking

steel, spray paint, spray foam, MDF board, sand, cement, foam, fabric, chain, 2.5’ x 4.5’ x 3’, 2020

Excavated Parking (view 2)
Excavated Parking (view 2)

steel, spray paint, spray foam, MDF board, sand, cement, foam, fabric, chain, 2.5’ x 4.5’ x 3’, 2020

Excavated Parking (view 3)
Excavated Parking (view 3)

steel, spray paint, spray foam, MDF board, sand, cement, foam, fabric, chain, 2.5’ x 4.5’ x 3’, 2020

Excavated Parking (detail)
Excavated Parking (detail)

steel, spray paint, spray foam, MDF board, sand, cement, foam, fabric, chain, 2.5’ x 4.5’ x 3’, 2020

Shower Thoughts
Shower Thoughts

polystyrene, wood, vinyl, acrylic paint, spray paint, chain, sand, pipe, towel hook, 36” x 36,” 2020

Hook and Peel
Hook and Peel

installation shot in mixed-media installation titled Gradience, dimensions variable, 2020

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Galactic Vacationers
Galactic Vacationers

digital photograph with models in mixed-media installation titled Gradience, polystyrene, sand, spray paint, acrylic paint, vinyl, resin, steel, MDF board, 4’ x 3.75’ x 6’, 2020

Castle Fabricks
Castle Fabricks

polystyrene, sand, spray paint, acrylic paint, vinyl, resin, steel, MDF board, 4’ x 3.75’ x 6’, 2020

Click, clack
Click, clack

installation shot with models in mixed-media installation titled Gradience, dimensions variable, 2020

Castle Fabricks (view 2)
Castle Fabricks (view 2)

polystyrene, sand, spray paint, acrylic paint, vinyl, resin, steel, MDF board, 4’ x 3.75’ x 6’, 2020

Castle Fabricks (view 3)
Castle Fabricks (view 3)

polystyrene, sand, spray paint, acrylic paint, vinyl, resin, steel, MDF board, 4’ x 3.75’ x 6’, 2020

Castle Fabricks (detail)
Castle Fabricks (detail)

polystyrene, sand, spray paint, acrylic paint, vinyl, resin, steel, MDF board, 4’ x 3.75’ x 6’, 2020

Fawning
Fawning

marker, colored pencil, acrylic, and glitter on Bristol paper, 12” x 9”, 2020

Frosted Lava Slab
Frosted Lava Slab

polystyrene, spray foam, wood, fabric, spray paint, cement, sand, pole, 2.5’ x 4.5’ x .5’, 2020

Fountain
Fountain

marker, colored pencil, and acrylic paint on paper, 8” x 5”, 2020

Falling Into the Pool
Falling Into the Pool

digital photograph with model taken with sculpture titled Frosted Lava Slab, polystyrene, spray foam, wood, fabric, spray paint, cement, sand, and pole, 2.5’ x 4.5’ x .5’, 2020

Frosted Lava Slab (view 2)
Frosted Lava Slab (view 2)

polystyrene, spray foam, wood, fabric, spray paint, cement, sand, pole, 2.5’ x 4.5’ x .5’, 2020

Polly’s Pocket Slime
Polly’s Pocket Slime

polystyrene, wood, spray foam, fabric, spray paint, acrylic paint, resin, glitter, chain, sand, and found object, 54" x 70", 2020

Pools
Pools

installation shot in mixed-media installation titled Gradience, dimensions variable, 2020

Super Ultra and the Soft Between

Syz.y.gy | ‘si-ze-je

: the nearly straight-line configuration of three celestial bodies (such as the sun, moon, and earth during a solar or lunar eclipse) in a gravitational system. 

SYZYGY Collab is an artist collective founded by and composed of Katie Hubbell, Philadelphia, PA, Kenzie Wells, Tucson, AZ, and Danni O’Brien, Baltimore, MD. The collective was formed after working side by side as residents at the Wassaic Project Artist Residency in Wassaic, New York in 2019. Melding a variety of sculptural materials with video projections, SYZYGY creates immersive installations that traverse the liminal spaces between subconscious dreamscapes and physical reality. SYZYGY debuted at SPRING/BREAK Art Show, New York, NY, 2020, with their exhibition Super Ultra and the Soft Between.

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Strange Houses

Strange Houses is a series of dimensional paintings and objects that consider the physical and psychological significance of a house from a queer perspective. Structural elements such as windows and railings are abstracted with familiar interior objects and patterns. Mirrors, coffee tables, and chairs take on sci-fi appearances as they are combined with colorful, gritty acrylic paint, simultaneously reminiscent of the texture of adobe and the disgusting neon icing atop a birthday cake. These juxtapositions mimic the alien feelings associated with being queer and symbolize the constant discrepancies between the house of the psyche and a physical dwelling. Using structures and materials discovered on nightly urban walks, this work employs nighttime as a mysterious scene where the familiar becomes magnified, absurd, and even funny.

Mirror in the Closet
Mirror in the Closet

vinyl, sand, rope, and insular foam, 2019

Hoses in the Nighttime
Hoses in the Nighttime

acrylic paint, bungee cord, vinyl, sand, and hardware on polystyrene and masonite, 2019

Hoses in the Nighttime (view 2)
Hoses in the Nighttime (view 2)

acrylic paint, bungee cord, vinyl, sand, and hardware on polystyrene and masonite, 2019

Sneaking Out
Sneaking Out

acrylic, bungee cord, vinyl, sand, and hardware on polystyrene and masonite, 2019

Sneaking Out (view 2)
Sneaking Out (view 2)

acrylic, bungee cord, vinyl, sand, and hardware on polystyrene and masonite, 2019

Sneaking Out (detail)
Sneaking Out (detail)

acrylic, bungee cord, vinyl, sand, and hardware on polystyrene and masonite, 2019

Night Slides
Night Slides

marker and colored pencil on bristol board, 8” x 12”, 2020

Cake Counter
Cake Counter

vinyl, putty, and acrylic on polystyrene and masonite, 13” x 13”, 2019

Moon Milk
Moon Milk

fabric, spray paint, sand, and acrylic on polystyrene and masonite, 17” x 15”, 2019

Moon Milk (view 2)
Moon Milk (view 2)

fabric, spray paint, sand, and acrylic on polystyrene and masonite, 17” x 15”, 2019

Moon Milk (view 3)
Moon Milk (view 3)

fabric, spray paint, sand, and acrylic on polystyrene and masonite, 17” x 15”, 2019

3 Pools
3 Pools

acrylic, putty, sand, foam, steel, and insular foam, 2019

3 Pools (view 2)
3 Pools (view 2)

acrylic, putty, sand, foam, steel, and insular foam, 2019

3 Pools (detail)
3 Pools (detail)

acrylic, putty, sand, foam, steel, and insular foam, 2019

Lucky Strike
Lucky Strike

inlaid maple and cherry wood, MDF board, and spray paint, 3.5’ x 3’ x 2’, 2019

Lucky Strike (view 2)
Lucky Strike (view 2)

inlaid maple and cherry wood, MDF board, and spray paint, 3.5’ x 3’ x 2’, 2019

Lucky Strike (view 3)
Lucky Strike (view 3)

inlaid maple and cherry wood, MDF board, and spray paint, 3.5’ x 3’ x 2’, 2019

The Cloud Factory
The Cloud Factory

acrylic, oil, latex, vinyl, steel, foam, and cement on panel, 71.5” x 42”, 2019

The Cloud Factory (view 2)
The Cloud Factory (view 2)

acrylic, oil, latex, vinyl, steel, foam, and cement on panel, 71.5” x 42”, 2019

The Cloud Factory (detail)
The Cloud Factory (detail)

acrylic, oil, latex, vinyl, steel, foam, and cement on panel, 71.5” x 42”, 2019

Toaster
Toaster

marker and colored pencil on paper, 9” x 12”, 2019

Slice
Slice

MDF, vinyl, spray paint, steel, and bungee cord, 2019

Slice (view 2)
Slice (view 2)

MDF, vinyl, spray paint, steel, and bungee cord, 2019

Mirror in the Closet (view 2)
Mirror in the Closet (view 2)

vinyl, sand, rope, and insular foam, 2019

Slice (view 3)
Slice (view 3)

MDF, vinyl, spray paint, steel, and bungee cord, 2019

Mirror in the Closet (view 3)
Mirror in the Closet (view 3)

vinyl, sand, rope, and insular foam, 2019

Mirror in the Closet (detail)
Mirror in the Closet (detail)

vinyl, sand, rope, and insular foam, 2019

Sky Race
Sky Race

marker, colored pencil, acrylic, and vinyl on paper, 9”x 12”, 2019

 digital photograph taken with sculpture titled  Mirror in the Closet,  2019

digital photograph taken with sculpture titled Mirror in the Closet, 2019

 digital photograph taken with sculpture titled  Mirror in the Closet,  2019

digital photograph taken with sculpture titled Mirror in the Closet, 2019

The Backdrop

The Backdrop, an installation exhibited at the University of Arizona Graduate and Alumni Gallery in January 2019, offers a surreal space composed of interior and exterior elements. The crossover between human design and the free forming phenomena of light are observed through an immersive environment of colors, textures, materials, and shapes. Elements were arranged and selected in response to the question: what is a backdrop? In other words, what is behind everything else, or what is the furthest thing we can perceive? During the monsoon season in Tucson, AZ, looming shadows, brickwork, and the mutability of cloud formations become striking markers of dimensionality against a cloudy, gray backdrop. Within The Backdrop these aspects are layered and framed within windows, doorways, and geometric aluminum forms. Both cloudy textures and architectural shapes come together in two and three dimensions, acknowledging the built environment and natural occurrences as flattened, material layers within a singular space. False dimensions and shadows create a sense of movement within the installation, taking elements often thought of as static and playing with them.

Facades
Facades

Installation shot with models in mixed-media installation titled The Backdrop, dimensions variable, 2019

 Installation shot in mixed-media installation titled  The Backdrop,  dimensions variable, 2019

Installation shot in mixed-media installation titled The Backdrop, dimensions variable, 2019

 Installation shot in mixed-media installation titled  The Backdrop , dimensions variable, 2019

Installation shot in mixed-media installation titled The Backdrop, dimensions variable, 2019

 Installation shot in mixed-media installation titled  The Backdrop,  dimensions variable, 2019

Installation shot in mixed-media installation titled The Backdrop, dimensions variable, 2019

 Installation shot in mixed-media installation titled  The Backdrop , dimensions variable, 2019

Installation shot in mixed-media installation titled The Backdrop, dimensions variable, 2019

 Installation shot in mixed-media installation titled  The Backdrop , dimensions variable, 2019

Installation shot in mixed-media installation titled The Backdrop, dimensions variable, 2019

 Installation shot with models in mixed-media installation titled The Backdrop, dimensions variable, 2019

Installation shot with models in mixed-media installation titled The Backdrop, dimensions variable, 2019

Leveling
Leveling

installation shot in mixed-media installation titled The Backdrop, dimensions variable, 2020

Leveling (aluminum sculpture)
Leveling (aluminum sculpture)

aluminum, rubber ball, plexiglass, and latex paint, dimensions variable, 2019

Propping no. 1
Propping no. 1

wood, fabric, aluminum, stainless steel, bricks, and rubber ball, dimensions variable, 2019

Propping no. 1 (detail)
Propping no. 1 (detail)

wood, fabric, aluminum, stainless steel, bricks, and rubber ball, dimensions variable, 2019

Propping no. 2
Propping no. 2

installation shot with models in mixed-media installation titled The Backdrop, dimensions variable, 2020

Propping no. 3
Propping no. 3

installation shot with models in mixed-media installation titled The Backdrop, dimensions variable, 2020

Drift
Drift

steel and frosted/ color-shifting vinyls, dimensions variable, 2019

Drift (view 2)
Drift (view 2)

steel and frosted/ color-shifting vinyls, dimensions variable, 2019

Drift (view 3)
Drift (view 3)

steel and frosted/ color-shifting vinyls, dimensions variable, 2019

Reverse
Reverse

aluminum frame, latex paint, vinyl, and mirrored window film, 36” x 48”, 2019

Reverse (detail)
Reverse (detail)

aluminum frame, latex paint, vinyl, and mirrored window film, 36” x 48”, 2019

Block Volume (brick sculpture)
Block Volume (brick sculpture)

brick, latex paint, and fabric, 3’ x 3.5’ x 1.5’, 2019

Block Volume (detail)
Block Volume (detail)

brick, latex paint, and fabric, 3’ x 3.5’ x 1.5’, 2019

Block Volume (detail)
Block Volume (detail)

brick, latex paint, and fabric, 3’ x 3.5’ x 1.5’, 2019

 Installation shot in mixed-media installation titled  The Backdrop,  dimensions variable, 2019

Installation shot in mixed-media installation titled The Backdrop, dimensions variable, 2019

Bend (foam structure)
Bend (foam structure)

foam and fabric, dimensions variable, 2019

Slow Contrast
Slow Contrast

fabric, stainless steel, and aluminum on wood panel, 84” x 36”, 2019

Slow Contrast (detail)
Slow Contrast (detail)

2019

Ghost Image
Ghost Image

projector screens, aluminum frames, color-shifting vinyl on aluminum, and latex paint on wall, dimensions variable, 2019

Slow Contrast (detail)
Slow Contrast (detail)

fabric, stainless steel, and aluminum on wood panel, 84” x 36”, 2019

Overlap
Overlap

colored pencil and marker on paper, 8” x 9”, 2019

Escalate
Escalate

oil on canvas and latex paint on wall, dimensions variable, 2019

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Interval (empty)
Interval (empty)

aluminum, color-shifting vinyl, dichroic window film, and stainless steel, 3’ x 2.5’ x 5.5’, 2018

Condensed Moon
Condensed Moon

projector screen, color-shifting vinyl, aluminum, and latex paint, dimensions variable, 2018

Interval (empty)
Interval (empty)

aluminum, color-shifting vinyl, dichroic window film, and stainless steel, 3’ x 2.5’ x 5.5’, 2018

Interval (with cubes)
Interval (with cubes)

aluminum, color-shifting vinyl, dichroic window film, and stainless steel, 3’ x 2.5’ x 5.5’, 2018

Condensed Moon (view 2)
Condensed Moon (view 2)

projector screen, color-shifting vinyl, aluminum, and latex paint, dimensions variable, 2018

Studio Arrangements 1
Studio Arrangements 1
Studio Arrangements 2
Studio Arrangements 2
Studio Arrangements 3
Studio Arrangements 3
Material Arrangements 1
Material Arrangements 1
Crest
Crest

steel, spray paint, color-shifting vinyl on mirror, and magnets, 18” x 12”, 2018

Crest
Crest

steel, spray paint, color-shifting vinyl on mirror, and magnets, 18” x 12”, 2018

Constant
Constant

steel, spray paint, color-shifting vinyl on mirror, and magnets, 18” x 12”, 2018

Constant (detail)
Constant (detail)

steel, spray paint, color-shifting vinyl on mirror, and magnets, 18” x 12”, 2018

Rift
Rift

steel, spray paint, color-shifting vinyl on mirror, and magnets, 18” x 12”, 2018

Rift
Rift

steel, spray paint, color-shifting vinyl on mirror, and magnets, 18” x 12”, 2018

prev / next
Back to Sculpture and Installation
59
Queer as Water / New 2023-24
14
Beachcomber's Dream
16
Triple Point
42
Super Position
18
Habitable Zone
Parking
23
Gradience
22
Super Ultra and the Soft Between
Mirror in the Closet
30
Strange Houses
Facades
45
The Backdrop

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