Oil on unstretched canvas, 2016
Cut pool noodle, thread, and spray paint, 2016
2016
Oil and acrylic on canvas, 2016
Oil on unstretched canvas, 2016
Oil on unstretched canvas, 2016
Personal calendar pages, acrylic, spray paint, and marker, 2016
Oil on canvas, 2016
Marker on paper, 2016
Marker and colored pencil on paper, 2016
Foam cubes, glue, and astroturf, 2016
Marker and colored pencil on paper, 2016
Acrylic on canvas, 2016
Oil on canvas, 2016
Oil and acrylic on canvas, 2016
Oil and glitter on canvas, 2016
Gouache, acrylic, gel pen, marker, and colored pencil on paper, 2017
Oil on canvas, 2017
Marker, colored pencil, and pen on paper, 2016
Marker, acrylic, colored pencil, and oil on paper, 2016
Marker on paper, 2016
Marker on paper, 2016
Chroma Complex, a compilation of paintings, video, photography and installation, is a concept that led to a show at the Lionel Rombach Gallery in Tucson, AZ in 2018. The work embodies the visually deceptive qualities of color within two-dimensional spaces. Various colorful planes are paired with reflective surfaces, producing images that continuously shift and merge as the viewer moves through the gallery. Through painted walls, shadows, and reflections the work addresses the space beyond its edges, highlighting its physical presence. By synchronizing movement and perspective, the work emphasizes the experiential and ephemeral nature of color within our surroundings.
oil on canvas and matte latex paint on wall
2018, wall installation: oil on canvas, matte latex paint, metal, and reflective paper
2018
2018, oil on canvas and matte latex paint on wall
2018, wall installation: oil on canvas, matte latex paint, metal, magnets, and mirror
2018, metal, magnets, and reflective paper. Because of its reflective qualities, Channel’s appearance is dependent on what is surrounding it and where the viewer is standing.
2018
2018
2018, sheet metal, mirror, magnets. Similar to Channel, because of its reflective qualities Rear View’s appearance is dependent on what is surrounding it and where the viewer is standing.
2018
2018
2018
2018, Rear View paired with Softly, faux mink on panel
2018, faux mink on panel. Softly is an interactive piece. Due to it’s texture its appearance is dependent on touch and perspective.
2018, faux mink on panel, matte latex paint on wall. Like Softly, Sink is an interactive piece. Due to it’s texture its appearance is dependent on touch and perspective.
2018
2018, color-shifting vinyl on metal. Because of its color shifting qualities, Tinge changes colors as the viewer moves around it and takes on a variety of appearances.
2018
2018
2018
2018, color-shifting vinyl, plexiglass, sheet metal, and copper. Like Tinge, Dive also continuously changes color depending on where the viewer is standing.
2018
2018
2018, plexiglass, acrylic paint, metal, magnets, and color-shifting vinyl.
2018
2018
2018, install shot
2018, install shot
